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	<title>Comments on: Quote for the day</title>
	<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/</link>
	<description>The News Blog of Comics Culture</description>
	<pubDate>Sat, 06 Sep 2008 23:55:24 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.0.2</generator>

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		<title>by: R. Maheras</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-685905</link>
		<pubDate>Mon, 07 Jan 2008 15:20:40 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-685905</guid>
					<description>In the 40 years I have been creating comics and writing, I've been published hundreds of times. However, in almost all cases, there has been little or no pay -- even when I had a contract. There have been two situations where I declined what would have been lucrative payments because I felt there would be an inherent conflict of interest (you had to be there), but for the most part, the $$$ well has been pretty dry.

In fact, unless one counts &quot;comps&quot; as payment, I doubt that in those 40 years I've made $500 in total compensation.

That being said, I love drawing comics, but I'm a practical working-class guy -- I always have been -- and unless some seismic shift occurs, money-wise, comics will remain nothing more than a &quot;pasttime or hobby&quot; for me. In that regards, I totally understand the MOME creators' situation.</description>
		<content:encoded><![CDATA[<p>In the 40 years I have been creating comics and writing, I&#8217;ve been published hundreds of times. However, in almost all cases, there has been little or no pay &#8212; even when I had a contract. There have been two situations where I declined what would have been lucrative payments because I felt there would be an inherent conflict of interest (you had to be there), but for the most part, the $$$ well has been pretty dry.</p>
<p>In fact, unless one counts &#8220;comps&#8221; as payment, I doubt that in those 40 years I&#8217;ve made $500 in total compensation.</p>
<p>That being said, I love drawing comics, but I&#8217;m a practical working-class guy &#8212; I always have been &#8212; and unless some seismic shift occurs, money-wise, comics will remain nothing more than a &#8220;pasttime or hobby&#8221; for me. In that regards, I totally understand the MOME creators&#8217; situation.
</p>
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		<title>by: Al</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-685757</link>
		<pubDate>Mon, 07 Jan 2008 13:33:32 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-685757</guid>
					<description>Like most aspects of life, if you are passionate about something, in this case creating comic pages, you will spend more time and energy at it. Most of us work full time and can do other things after work and family obligations have been met. 

If you create comics at the rate of half a page per week, it is more of a pasttime or hobby than a serious undertaking. 

Unless you are doing something that requires research, reference, painting and such, imho.</description>
		<content:encoded><![CDATA[<p>Like most aspects of life, if you are passionate about something, in this case creating comic pages, you will spend more time and energy at it. Most of us work full time and can do other things after work and family obligations have been met. </p>
<p>If you create comics at the rate of half a page per week, it is more of a pasttime or hobby than a serious undertaking. </p>
<p>Unless you are doing something that requires research, reference, painting and such, imho.
</p>
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		<title>by: Marvin Mann</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-685228</link>
		<pubDate>Mon, 07 Jan 2008 06:16:21 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-685228</guid>
					<description>&quot;ten pages every four months is a lot to ask&quot;

There my be good reasons for why an artist finds a page a week to be challenge enough, but calling it &quot;a lot to ask&quot; was maybe just unfortunate phrasing.</description>
		<content:encoded><![CDATA[<p>&#8220;ten pages every four months is a lot to ask&#8221;</p>
<p>There my be good reasons for why an artist finds a page a week to be challenge enough, but calling it &#8220;a lot to ask&#8221; was maybe just unfortunate phrasing.
</p>
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		<title>by: Peter Krause</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684914</link>
		<pubDate>Mon, 07 Jan 2008 02:25:13 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684914</guid>
					<description>...and when your full-time job is drawing (animation, storyboards, etc.), and you have a family, and you might have OTHER INTERESTS (shocking I know...I do like to get outside as often as possible) and this outside comic job pays a wage one doesn't live on, I just don't see the surprise.</description>
		<content:encoded><![CDATA[<p>&#8230;and when your full-time job is drawing (animation, storyboards, etc.), and you have a family, and you might have OTHER INTERESTS (shocking I know&#8230;I do like to get outside as often as possible) and this outside comic job pays a wage one doesn&#8217;t live on, I just don&#8217;t see the surprise.
</p>
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		<title>by: Steve Taylor</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684763</link>
		<pubDate>Mon, 07 Jan 2008 00:32:12 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684763</guid>
					<description>Aah,...for the days when people worked full time not making money doing comics.</description>
		<content:encoded><![CDATA[<p>Aah,&#8230;for the days when people worked full time not making money doing comics.
</p>
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		<title>by: R. Maheras</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684664</link>
		<pubDate>Mon, 07 Jan 2008 00:03:14 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684664</guid>
					<description>I think Eric's production rate expectations are pretty realistic if most of the contributors are working full-time jobs -- and especially if they have families.

I am perfectly capable of writing, penciling, inking and lettering a page per day, but if I'm working full time AND DOING NOTHING ELSE ON THE WEEKENDS BUT DRAWING, I could only generate eight pages per month.

But even then, life just ain't that simple -- particularly, as I pointed out, if one has a family. And if the cartoonist also has a house, rather than an apartment, things can get even MORE complicated.</description>
		<content:encoded><![CDATA[<p>I think Eric&#8217;s production rate expectations are pretty realistic if most of the contributors are working full-time jobs &#8212; and especially if they have families.</p>
<p>I am perfectly capable of writing, penciling, inking and lettering a page per day, but if I&#8217;m working full time AND DOING NOTHING ELSE ON THE WEEKENDS BUT DRAWING, I could only generate eight pages per month.</p>
<p>But even then, life just ain&#8217;t that simple &#8212; particularly, as I pointed out, if one has a family. And if the cartoonist also has a house, rather than an apartment, things can get even MORE complicated.
</p>
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		<title>by: Joe Williams</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684023</link>
		<pubDate>Sun, 06 Jan 2008 17:05:31 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684023</guid>
					<description>I can remember reading that quote and sharing Heidi's initial reaction, but as a long-time indy comics reader (and struggling artist myself) I know that unfortunately for a lot of comics artists, comics aren't just their 2nd job but often their 3rd or 4th job. Many have a &quot;real&quot; full time job and do illustration or design on the side in an attempt to make that their full time job and then comics come later. Sadly, even if the rates were a bit better I'd imagine many people would still have a hard time cranking out enough pages at a fast enough clip to make it a full time gig as some people's styles just don't themselves to cranking it out very fast.</description>
		<content:encoded><![CDATA[<p>I can remember reading that quote and sharing Heidi&#8217;s initial reaction, but as a long-time indy comics reader (and struggling artist myself) I know that unfortunately for a lot of comics artists, comics aren&#8217;t just their 2nd job but often their 3rd or 4th job. Many have a &#8220;real&#8221; full time job and do illustration or design on the side in an attempt to make that their full time job and then comics come later. Sadly, even if the rates were a bit better I&#8217;d imagine many people would still have a hard time cranking out enough pages at a fast enough clip to make it a full time gig as some people&#8217;s styles just don&#8217;t themselves to cranking it out very fast.
</p>
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		<title>by: Tom Spurgeon</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684013</link>
		<pubDate>Sun, 06 Jan 2008 17:02:09 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-684013</guid>
					<description>Eric is the worst sweatshop manager ever!</description>
		<content:encoded><![CDATA[<p>Eric is the worst sweatshop manager ever!
</p>
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		<title>by: Mike Manley</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-683973</link>
		<pubDate>Sun, 06 Jan 2008 16:40:01 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-683973</guid>
					<description>I think the questions is rather simple to me. It there a deadline these artist must meet? If not, and it's a long term &quot;we get there when we get there&quot; type thing, ok. If no pay is involved I can tell you as a professional, often those jobs get pushed to the side to take the paying work. .That's the reality of freelance, that doesn't mean you don't love them more or wish you could do them all the time.

Some artist are slow, have bad working habits, are super A.D.D., play to many video games, just like everybody else. And some poeples process to create isn't liniar either.

It often seems to the lay person we artist just sit and create, like turning on a machine, and we sort of &quot;mill out&quot; pages. Some can, some can't. I can easily at least a page of anything a day, and have done 7-8 if I absolutely had to, but in those instances I am usually just there to provide the breakdowns.

The other fact is that today there is really no penalty, or hardly any for being late in general, especially if you have any heat. How many books are now routinely late because the artist or writer is a big fish with bigger more high profile jobs?

The old idea of what professionalism was in the 60's and 70's is gone, and that is in just about everything, not in just comics.</description>
		<content:encoded><![CDATA[<p>I think the questions is rather simple to me. It there a deadline these artist must meet? If not, and it&#8217;s a long term &#8220;we get there when we get there&#8221; type thing, ok. If no pay is involved I can tell you as a professional, often those jobs get pushed to the side to take the paying work. .That&#8217;s the reality of freelance, that doesn&#8217;t mean you don&#8217;t love them more or wish you could do them all the time.</p>
<p>Some artist are slow, have bad working habits, are super A.D.D., play to many video games, just like everybody else. And some poeples process to create isn&#8217;t liniar either.</p>
<p>It often seems to the lay person we artist just sit and create, like turning on a machine, and we sort of &#8220;mill out&#8221; pages. Some can, some can&#8217;t. I can easily at least a page of anything a day, and have done 7-8 if I absolutely had to, but in those instances I am usually just there to provide the breakdowns.</p>
<p>The other fact is that today there is really no penalty, or hardly any for being late in general, especially if you have any heat. How many books are now routinely late because the artist or writer is a big fish with bigger more high profile jobs?</p>
<p>The old idea of what professionalism was in the 60&#8217;s and 70&#8217;s is gone, and that is in just about everything, not in just comics.
</p>
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		<title>by: Lea Hernandez</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-683564</link>
		<pubDate>Sun, 06 Jan 2008 12:52:58 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-683564</guid>
					<description>Many contributors to FLIGHT are working animators and artists of many sorts, including comics. What is the average number of pages they do per book?</description>
		<content:encoded><![CDATA[<p>Many contributors to FLIGHT are working animators and artists of many sorts, including comics. What is the average number of pages they do per book?
</p>
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		<title>by: James Kochalka</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682317</link>
		<pubDate>Sun, 06 Jan 2008 02:15:16 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682317</guid>
					<description>Eric, of course is rght.  And here's another angle...  MOME might very well not be the top priority for every cartoonist in there.  Let's imagine if Paul Pope at the height of his manic productivity was also a contributor to MOME.  After blazing through 80 pages of THB it might be tough to manage another 10 pages for MOME on top of that.</description>
		<content:encoded><![CDATA[<p>Eric, of course is rght.  And here&#8217;s another angle&#8230;  MOME might very well not be the top priority for every cartoonist in there.  Let&#8217;s imagine if Paul Pope at the height of his manic productivity was also a contributor to MOME.  After blazing through 80 pages of THB it might be tough to manage another 10 pages for MOME on top of that.
</p>
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		<title>by: Tim Hensley</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682230</link>
		<pubDate>Sun, 06 Jan 2008 01:19:45 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682230</guid>
					<description>I find it amusing that the newest reason that Mome isn't up to par
is that there aren't enough pages being produced to object to.</description>
		<content:encoded><![CDATA[<p>I find it amusing that the newest reason that Mome isn&#8217;t up to par<br />
is that there aren&#8217;t enough pages being produced to object to.
</p>
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		<title>by: Loris Z.</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682229</link>
		<pubDate>Sun, 06 Jan 2008 01:19:37 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682229</guid>
					<description>It's not an ideal rate, of course, but when you have a dayjob and you're juggling commissioned pieces and your personal projects, I can totally understand that a short story takes so much time to be finished.

A suggestion, if you allow me? Instead of complaining how much these artists take to finish a story, why don't you buy their projects so they can devote their full time to making comics?</description>
		<content:encoded><![CDATA[<p>It&#8217;s not an ideal rate, of course, but when you have a dayjob and you&#8217;re juggling commissioned pieces and your personal projects, I can totally understand that a short story takes so much time to be finished.</p>
<p>A suggestion, if you allow me? Instead of complaining how much these artists take to finish a story, why don&#8217;t you buy their projects so they can devote their full time to making comics?
</p>
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		<title>by: Steve Taylor</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682107</link>
		<pubDate>Sun, 06 Jan 2008 00:42:49 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-682107</guid>
					<description>This kind of exchange is what I love about this blog.  I always learn something.</description>
		<content:encoded><![CDATA[<p>This kind of exchange is what I love about this blog.  I always learn something.
</p>
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		<title>by: Bill Cunningham</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681918</link>
		<pubDate>Sat, 05 Jan 2008 22:54:38 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681918</guid>
					<description>You're right - it is a depressing rate of speed.</description>
		<content:encoded><![CDATA[<p>You&#8217;re right - it is a depressing rate of speed.
</p>
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		<title>by: T Campbell</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681841</link>
		<pubDate>Sat, 05 Jan 2008 21:40:52 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681841</guid>
					<description>When the production rate is slower than one page weekly, I stop thinking of it as a &quot;production RATE.&quot; Maybe Eric's experience is different, but I wouldn't rely on anyone slower than that to produce a steady stream of work.</description>
		<content:encoded><![CDATA[<p>When the production rate is slower than one page weekly, I stop thinking of it as a &#8220;production RATE.&#8221; Maybe Eric&#8217;s experience is different, but I wouldn&#8217;t rely on anyone slower than that to produce a steady stream of work.
</p>
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		<title>by: Eric Reynolds</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681598</link>
		<pubDate>Sat, 05 Jan 2008 19:16:51 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681598</guid>
					<description>Exactly. If Mome sold well enough that I could pay everyone a much higher page rate, I'd probably be able to get people to do more.</description>
		<content:encoded><![CDATA[<p>Exactly. If Mome sold well enough that I could pay everyone a much higher page rate, I&#8217;d probably be able to get people to do more.
</p>
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		<title>by: Scott Bieser</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681555</link>
		<pubDate>Sat, 05 Jan 2008 18:59:34 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681555</guid>
					<description>In all fairness, I can confirm that given the lack of money available in this business, it's dang near impossible for a small publisher to get an artist to produce faster than he chooses to. In this environment, editors are pretty much at the mercy of creators. Even when you pay a bit of cash at the front end.

The only solution I can see to this is to grow the market enough so that comics artists can earn as much drawing comics as they can doing advertising art, book cover illustrations, logo design, or whatever else they do to earn a living. And this is not by any means an easy solution, yet everyone here -- creator, editor, critic, journalist, retailer, fan -- can play a part in it.</description>
		<content:encoded><![CDATA[<p>In all fairness, I can confirm that given the lack of money available in this business, it&#8217;s dang near impossible for a small publisher to get an artist to produce faster than he chooses to. In this environment, editors are pretty much at the mercy of creators. Even when you pay a bit of cash at the front end.</p>
<p>The only solution I can see to this is to grow the market enough so that comics artists can earn as much drawing comics as they can doing advertising art, book cover illustrations, logo design, or whatever else they do to earn a living. And this is not by any means an easy solution, yet everyone here &#8212; creator, editor, critic, journalist, retailer, fan &#8212; can play a part in it.
</p>
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		<title>by: Brian Jacoby from Secret Headquarters Tallahassee, Florida</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681541</link>
		<pubDate>Sat, 05 Jan 2008 18:53:36 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681541</guid>
					<description>If only I had typed a little faster... :p</description>
		<content:encoded><![CDATA[<p>If only I had typed a little faster&#8230; :p
</p>
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		<title>by: Brian Jacoby from Secret Headquarters Tallahassee, Florida</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681538</link>
		<pubDate>Sat, 05 Jan 2008 18:52:28 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/01/05/quote-for-the-day/#comment-681538</guid>
					<description>It's also possible that these artists are producing non-Mome work as well, or creating pages that they decide against using in Mome after completion and have to start over.

There are a myriad of reasons that don't include laziness, procrastination or general slowness.</description>
		<content:encoded><![CDATA[<p>It&#8217;s also possible that these artists are producing non-Mome work as well, or creating pages that they decide against using in Mome after completion and have to start over.</p>
<p>There are a myriad of reasons that don&#8217;t include laziness, procrastination or general slowness.
</p>
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