<?xml version="1.0" encoding="UTF-8"?><!-- generator="wordpress/2.0.2" -->
<rss version="2.0" 
	xmlns:content="http://purl.org/rss/1.0/modules/content/">
<channel>
	<title>Comments on: DCU more important than ever to the studio</title>
	<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/</link>
	<description>The News Blog of Comics Culture</description>
	<pubDate>Mon, 23 Nov 2009 04:53:13 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.0.2</generator>

	<item>
		<title>by: More Dark Nights for DC Comics and Time Warner? : Culture Nation Blog</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2442408</link>
		<pubDate>Wed, 08 Oct 2008 23:56:40 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2442408</guid>
					<description>[...] In spite of the array of new comics titles that have come out of DC and its imprints (including Vertigo and Wildstorm) in recent years, Warners has focused primarily on exploiting DC for its most well-known and obvious superhero franchises. (Notable exceptions include the film adaptation of Vertigo’s Hellblazer series, Constantine, and the adaptations of The Road to Perdition and A History of Violence – the latter two coming from DC’s graphic novel arm.) The possible “R&amp;#38;D” function that DC could have served – or might presently offer – has not yet come to fruition, for the most part. Only recently has Warner Bros. appointed a liaison between its motion picture and comic book divisions. Yet rumors seem to indicate that this individual has neither the power in the Warners hierarchy nor the respect of the comic book community.5 [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] In spite of the array of new comics titles that have come out of DC and its imprints (including Vertigo and Wildstorm) in recent years, Warners has focused primarily on exploiting DC for its most well-known and obvious superhero franchises. (Notable exceptions include the film adaptation of Vertigo’s Hellblazer series, Constantine, and the adaptations of The Road to Perdition and A History of Violence – the latter two coming from DC’s graphic novel arm.) The possible “R&amp;D” function that DC could have served – or might presently offer – has not yet come to fruition, for the most part. Only recently has Warner Bros. appointed a liaison between its motion picture and comic book divisions. Yet rumors seem to indicate that this individual has neither the power in the Warners hierarchy nor the respect of the comic book community.5 [&#8230;]
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Fox</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2199763</link>
		<pubDate>Fri, 22 Aug 2008 20:53:02 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2199763</guid>
					<description>Why did it put that?  I had this whole rant.  And that's what it ended up putting in for me.  Oh well.  The Reader's Digest Condensed version:

TW sux - too many suits having to put a &quot;personal stamp&quot; on every project.  Too many focus groups deciding how the movies should be made and not enough directors like del Toro who have a set of b@llz of their own.  Too much obsessing over toy, tv and other tie-ins.  Marvel will kick their butts for the next 5 years, minimum, because while DC wrings its hands over &quot;flying safe,&quot; and sits stalled on the runway, Marvel will be out flying - safe, reckless, whatever.</description>
		<content:encoded><![CDATA[<p>Why did it put that?  I had this whole rant.  And that&#8217;s what it ended up putting in for me.  Oh well.  The Reader&#8217;s Digest Condensed version:</p>
<p>TW sux - too many suits having to put a &#8220;personal stamp&#8221; on every project.  Too many focus groups deciding how the movies should be made and not enough directors like del Toro who have a set of b@llz of their own.  Too much obsessing over toy, tv and other tie-ins.  Marvel will kick their butts for the next 5 years, minimum, because while DC wrings its hands over &#8220;flying safe,&#8221; and sits stalled on the runway, Marvel will be out flying - safe, reckless, whatever.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Fox</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2199607</link>
		<pubDate>Fri, 22 Aug 2008 20:25:56 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2199607</guid>
					<description>&amp;#62;&amp;#62;They have to be set up the right way and lined up the right way and all take off one at a time and fly safe and fly straight.”</description>
		<content:encoded><![CDATA[<p>&gt;&gt;They have to be set up the right way and lined up the right way and all take off one at a time and fly safe and fly straight.”
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Jon in Austin</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2197888</link>
		<pubDate>Fri, 22 Aug 2008 13:39:24 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2197888</guid>
					<description>Check out today's Wall Street Journal, front page of the &quot;Marketplace&quot; section, page, B1...&quot;Warner Bets on Fewer, Bigger Movies&quot; is all about their super-hero strategy.  They are going to pursue a strategy that's similar to Marvel by rolling out movies with individual characters that roll into a film where they all meet.  Super-heroes apparently play very well to global audiences.  Article includes an interview with Paul Levitz.</description>
		<content:encoded><![CDATA[<p>Check out today&#8217;s Wall Street Journal, front page of the &#8220;Marketplace&#8221; section, page, B1&#8230;&#8221;Warner Bets on Fewer, Bigger Movies&#8221; is all about their super-hero strategy.  They are going to pursue a strategy that&#8217;s similar to Marvel by rolling out movies with individual characters that roll into a film where they all meet.  Super-heroes apparently play very well to global audiences.  Article includes an interview with Paul Levitz.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: brett</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2187209</link>
		<pubDate>Thu, 21 Aug 2008 00:35:27 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2187209</guid>
					<description>&quot;Exhibit C: Had any of you ever heard of Greg Berlanti before he was involved in the Green Lantern movie?&quot;

Yes, he made a movie called The Broken Hearts Club and he's also executive producer of Brothers and Sisters, Dirty-Sexy-Money for ABC and a couple of other projects that elude me at the moment.

BTW -- You forgot 'Constantine' to add to the WB list. That flick's right up there with Catwoman and Steel.</description>
		<content:encoded><![CDATA[<p>&#8220;Exhibit C: Had any of you ever heard of Greg Berlanti before he was involved in the Green Lantern movie?&#8221;</p>
<p>Yes, he made a movie called The Broken Hearts Club and he&#8217;s also executive producer of Brothers and Sisters, Dirty-Sexy-Money for ABC and a couple of other projects that elude me at the moment.</p>
<p>BTW &#8212; You forgot &#8216;Constantine&#8217; to add to the WB list. That flick&#8217;s right up there with Catwoman and Steel.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: brett</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2187207</link>
		<pubDate>Thu, 21 Aug 2008 00:34:53 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2187207</guid>
					<description>&quot;Exhibit C: Had any of you ever heard of Greg Berlanti before he was involved in the Green Lantern movie?&quot;

Yes, he made a movie called The Broken Hearts Club and he's also executive producer of Brothers and Sisters, Dirty-Sexy-Money for ABC and a couple of other projects that elude me at the moment.

BTW -- You forgot 'Constantine' to add to the WB list. That flick's right up there with Catwoman and Steel.</description>
		<content:encoded><![CDATA[<p>&#8220;Exhibit C: Had any of you ever heard of Greg Berlanti before he was involved in the Green Lantern movie?&#8221;</p>
<p>Yes, he made a movie called The Broken Hearts Club and he&#8217;s also executive producer of Brothers and Sisters, Dirty-Sexy-Money for ABC and a couple of other projects that elude me at the moment.</p>
<p>BTW &#8212; You forgot &#8216;Constantine&#8217; to add to the WB list. That flick&#8217;s right up there with Catwoman and Steel.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: rich</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2180104</link>
		<pubDate>Tue, 19 Aug 2008 17:06:24 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2180104</guid>
					<description>&quot;Personal opinion (with no data to support it) is that the current comics version of Dr. Fate or Creeper would make for terrible live-action movies. Manhunter, Captain Marvel/Shazam, and even Plastic Man (with Seth Rogen as Woozy Winks) would be a lot of fun.&quot;

Well, then ... make  GOOD movie of Dr. Fate or The Creeper.  I'm sure everyone felt the same way about BLADE a decade ago.</description>
		<content:encoded><![CDATA[<p>&#8220;Personal opinion (with no data to support it) is that the current comics version of Dr. Fate or Creeper would make for terrible live-action movies. Manhunter, Captain Marvel/Shazam, and even Plastic Man (with Seth Rogen as Woozy Winks) would be a lot of fun.&#8221;</p>
<p>Well, then &#8230; make  GOOD movie of Dr. Fate or The Creeper.  I&#8217;m sure everyone felt the same way about BLADE a decade ago.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: rich</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2180101</link>
		<pubDate>Tue, 19 Aug 2008 17:03:54 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2180101</guid>
					<description>&quot;When did Hollywood ever work this way?&quot;

It has happened ... rarely ...

For one thing, most movie companies want to MAKE and DISTRIBUTE movies of their most popular products.  Warner Bros. wants to &quot;line them up&quot; and then &quot;fly them safely,&quot; but that still doesn't give us a movie.</description>
		<content:encoded><![CDATA[<p>&#8220;When did Hollywood ever work this way?&#8221;</p>
<p>It has happened &#8230; rarely &#8230;</p>
<p>For one thing, most movie companies want to MAKE and DISTRIBUTE movies of their most popular products.  Warner Bros. wants to &#8220;line them up&#8221; and then &#8220;fly them safely,&#8221; but that still doesn&#8217;t give us a movie.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: rev'D</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179936</link>
		<pubDate>Tue, 19 Aug 2008 15:58:13 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179936</guid>
					<description>Or maybe DC / Time / Warner could make their audiences happy by commissioning NEW ORIGINAL WORK instead of wasting time dicking around with precious (and quite frankly, exhausted) trademarks.

Imagine:  new films and/or comics that have NOTHING to do with 50+ years of continuity--  that way, you can go to a film or read a book and actually risk being &lt;i&gt;surprised&lt;/i&gt; by a story, as opposed to picking which plots points and/or character motivations were lifted from which work, a la &lt;i&gt;'The Dark Knight'.&lt;/i&gt;

I want fresh fiction, not &quot;new products&quot;.</description>
		<content:encoded><![CDATA[<p>Or maybe DC / Time / Warner could make their audiences happy by commissioning NEW ORIGINAL WORK instead of wasting time dicking around with precious (and quite frankly, exhausted) trademarks.</p>
<p>Imagine:  new films and/or comics that have NOTHING to do with 50+ years of continuity&#8211;  that way, you can go to a film or read a book and actually risk being <i>surprised</i> by a story, as opposed to picking which plots points and/or character motivations were lifted from which work, a la <i>&#8216;The Dark Knight&#8217;.</i></p>
<p>I want fresh fiction, not &#8220;new products&#8221;.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Jon in Austin</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179754</link>
		<pubDate>Tue, 19 Aug 2008 14:47:09 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179754</guid>
					<description>This is typical big-company-itis.  I worked for a large computer company for 10 years, and it was clear that when you have to &quot;choreograph&quot; a new product, it takes years to deliver and the result is weak because the choreographer has to compromise so that key senior execs in each division can be happy.  For the most part, Marvel doesn't appear to have this challenge; they are much smaller and therefore more focused and nimble than Time Wamer.  

Personal opinion (with no data to support it) is that the current comics version of Dr. Fate or Creeper would make for terrible live-action movies.  Manhunter, Captain Marvel/Shazam, and even Plastic Man (with Seth Rogen as Woozy Winks) would be a lot of fun.</description>
		<content:encoded><![CDATA[<p>This is typical big-company-itis.  I worked for a large computer company for 10 years, and it was clear that when you have to &#8220;choreograph&#8221; a new product, it takes years to deliver and the result is weak because the choreographer has to compromise so that key senior execs in each division can be happy.  For the most part, Marvel doesn&#8217;t appear to have this challenge; they are much smaller and therefore more focused and nimble than Time Wamer.  </p>
<p>Personal opinion (with no data to support it) is that the current comics version of Dr. Fate or Creeper would make for terrible live-action movies.  Manhunter, Captain Marvel/Shazam, and even Plastic Man (with Seth Rogen as Woozy Winks) would be a lot of fun.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Richard Pachter</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179490</link>
		<pubDate>Tue, 19 Aug 2008 13:13:54 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179490</guid>
					<description>Tom + Heidi = Wonder Twins!</description>
		<content:encoded><![CDATA[<p>Tom + Heidi = Wonder Twins!
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Tom Spurgeon</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179471</link>
		<pubDate>Tue, 19 Aug 2008 13:07:52 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179471</guid>
					<description>Angelina Jolie and her creepy brother/awards show date from a few years back would have been good Wonder Twins.</description>
		<content:encoded><![CDATA[<p>Angelina Jolie and her creepy brother/awards show date from a few years back would have been good Wonder Twins.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Torsten Adair</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179253</link>
		<pubDate>Tue, 19 Aug 2008 12:04:16 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2179253</guid>
					<description>The biggest problem, once a film is greenlit, is dealing with the fanboy speculation.  Everyone wonders how will soandso will perform or direct.
I think if written the right way, with a small budget, that a Wonder Twins movie would be successful.  The property is well known. One can make the movie without superheroes at all.
The other nobrainer? Damage Control. A private company which cleans up after superheroes? $$$!</description>
		<content:encoded><![CDATA[<p>The biggest problem, once a film is greenlit, is dealing with the fanboy speculation.  Everyone wonders how will soandso will perform or direct.<br />
I think if written the right way, with a small budget, that a Wonder Twins movie would be successful.  The property is well known. One can make the movie without superheroes at all.<br />
The other nobrainer? Damage Control. A private company which cleans up after superheroes? $$$!
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: neeb</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2178044</link>
		<pubDate>Tue, 19 Aug 2008 06:30:42 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2178044</guid>
					<description>If WB ever gets going with DC movies, get ready for a lot of s****y movies.
Exhibit A: Steel.
Exhibit B: Catwoman.
(I'm not saying either was doomed from the start, but the amount of film making effort put into both are examples of how seriously WB takes the source material)
Exhibit C: Had any of you ever heard of Greg Berlanti before he was involved in the Green Lantern movie?</description>
		<content:encoded><![CDATA[<p>If WB ever gets going with DC movies, get ready for a lot of s****y movies.<br />
Exhibit A: Steel.<br />
Exhibit B: Catwoman.<br />
(I&#8217;m not saying either was doomed from the start, but the amount of film making effort put into both are examples of how seriously WB takes the source material)<br />
Exhibit C: Had any of you ever heard of Greg Berlanti before he was involved in the Green Lantern movie?
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Cary Coatney</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2176109</link>
		<pubDate>Mon, 18 Aug 2008 23:11:58 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2176109</guid>
					<description>Torsten - wasn't the Wonder Twins movie a April Fool's joke that Paul Dini and Alex Ross came up with? 

Me? I would opt for a movie based on Denny O' Neil and Denys Cowan's run on the Question -

and maybe a Atom and Hawkman team up adventure.

Phantom Stranger?

Challengers of the Unknown? 

Or perhaps Deadman?

~

Coat</description>
		<content:encoded><![CDATA[<p>Torsten - wasn&#8217;t the Wonder Twins movie a April Fool&#8217;s joke that Paul Dini and Alex Ross came up with? </p>
<p>Me? I would opt for a movie based on Denny O&#8217; Neil and Denys Cowan&#8217;s run on the Question -</p>
<p>and maybe a Atom and Hawkman team up adventure.</p>
<p>Phantom Stranger?</p>
<p>Challengers of the Unknown? </p>
<p>Or perhaps Deadman?</p>
<p>~</p>
<p>Coat
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Torsten Adair</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2176058</link>
		<pubDate>Mon, 18 Aug 2008 22:57:00 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2176058</guid>
					<description>Hey... how many DC/Vertigo properties have been optioned? Where's the Wonder Twins movie?  Orbiter?  Preacher?  

Heck...  grab $10 Million, a few decent actors, and make Proposition Player!    

Or use Smallville as a backdoor pilot/screen test.</description>
		<content:encoded><![CDATA[<p>Hey&#8230; how many DC/Vertigo properties have been optioned? Where&#8217;s the Wonder Twins movie?  Orbiter?  Preacher?  </p>
<p>Heck&#8230;  grab $10 Million, a few decent actors, and make Proposition Player!    </p>
<p>Or use Smallville as a backdoor pilot/screen test.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Kelson @ Speed Force</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175994</link>
		<pubDate>Mon, 18 Aug 2008 22:26:37 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175994</guid>
					<description>&lt;blockquote&gt;Or, you could do it the old fashioned way … stay the hell out of the creative team’s way, let them produce a good film, set a release date, and then start marketing it.&lt;/blockquote&gt;

When did Hollywood ever work this way?</description>
		<content:encoded><![CDATA[<blockquote><p>Or, you could do it the old fashioned way … stay the hell out of the creative team’s way, let them produce a good film, set a release date, and then start marketing it.</p></blockquote>
<p>When did Hollywood ever work this way?
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Bill Cunningham</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175990</link>
		<pubDate>Mon, 18 Aug 2008 22:21:45 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175990</guid>
					<description>I for one would love to see the original Goodwin and Simonson MANHUNTER as a movie....

A kung fu chopping, kicking, gun blasting, pulpy masterpiece of action...</description>
		<content:encoded><![CDATA[<p>I for one would love to see the original Goodwin and Simonson MANHUNTER as a movie&#8230;.</p>
<p>A kung fu chopping, kicking, gun blasting, pulpy masterpiece of action&#8230;
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Tom Spurgeon</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175975</link>
		<pubDate>Mon, 18 Aug 2008 22:18:04 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175975</guid>
					<description>I get a tent pole just thinking about it.</description>
		<content:encoded><![CDATA[<p>I get a tent pole just thinking about it.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Sphinx Magoo</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175908</link>
		<pubDate>Mon, 18 Aug 2008 21:27:58 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175908</guid>
					<description>I agree with Torsten Adair. Not every filmable property in the DC stable is a member of the Justice League.</description>
		<content:encoded><![CDATA[<p>I agree with Torsten Adair. Not every filmable property in the DC stable is a member of the Justice League.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Torsten Adair</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175873</link>
		<pubDate>Mon, 18 Aug 2008 21:01:06 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175873</guid>
					<description>Interesting...   Watchmen is not considered a tent pole...   

What I would like to see: smaller movies of the lesser known, but interesting DC or Marvel superheroes.  Something like Blade.</description>
		<content:encoded><![CDATA[<p>Interesting&#8230;   Watchmen is not considered a tent pole&#8230;   </p>
<p>What I would like to see: smaller movies of the lesser known, but interesting DC or Marvel superheroes.  Something like Blade.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Jimmie Robinson</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175812</link>
		<pubDate>Mon, 18 Aug 2008 19:51:43 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175812</guid>
					<description>Dear god, perhaps high tides at WB will lift more boats.
Wonder Woman your time is up, step forward, please.</description>
		<content:encoded><![CDATA[<p>Dear god, perhaps high tides at WB will lift more boats.<br />
Wonder Woman your time is up, step forward, please.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Todd Allen</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175802</link>
		<pubDate>Mon, 18 Aug 2008 19:44:56 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175802</guid>
					<description>&quot;Richard Pachter Says: 

08/18/08 at 2:51 pm 
I vote for Jimmy Palmiotti.&quot;

That's the beauty of Jimmy: he's qualified for most of these slots.</description>
		<content:encoded><![CDATA[<p>&#8220;Richard Pachter Says: </p>
<p>08/18/08 at 2:51 pm<br />
I vote for Jimmy Palmiotti.&#8221;</p>
<p>That&#8217;s the beauty of Jimmy: he&#8217;s qualified for most of these slots.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: rich</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175761</link>
		<pubDate>Mon, 18 Aug 2008 19:02:40 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175761</guid>
					<description>&quot;They have to be set up the right way and lined up the right way and all take off one at a time and fly safe and fly straight.”

Or, you could do it the old fashioned way ... stay the hell out of the creative team's way, let them produce a good film, set a release date, and then start marketing it.

Noveck's comment seems a bit condescending.</description>
		<content:encoded><![CDATA[<p>&#8220;They have to be set up the right way and lined up the right way and all take off one at a time and fly safe and fly straight.”</p>
<p>Or, you could do it the old fashioned way &#8230; stay the hell out of the creative team&#8217;s way, let them produce a good film, set a release date, and then start marketing it.</p>
<p>Noveck&#8217;s comment seems a bit condescending.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Richard Pachter</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175742</link>
		<pubDate>Mon, 18 Aug 2008 18:51:33 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175742</guid>
					<description>I vote for Jimmy Palmiotti.

Oops. Wrong gig.</description>
		<content:encoded><![CDATA[<p>I vote for Jimmy Palmiotti.</p>
<p>Oops. Wrong gig.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: brett</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175715</link>
		<pubDate>Mon, 18 Aug 2008 18:18:54 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175715</guid>
					<description>Noveck? Isn't he the guy who put the New Teen Titans direct to animated movie on hold because as he claims 'there isn't enough fan support'?

I read somewhere when he was asked how this was determined, he stated that whenever fans are asked which is the next DC animated film they want to see, Titans is always at the bottom of the list with more Superman and Batman topping the list.

???

What I'd like to know is when the heck did Mr Noveck start polling fans about their animated films? I've never seen one and at most conventions, New Teen Titans Judas Contract is always brought up, requested and  mentioned including in all their online promotions for other Direct to Animated film announcements like... Wonder Woman.

Glad to know he's listening to the fans who requested more Supes and Bats.

I also heard that they'd like to do Creeper and Dr Fate as animated films. Because there's so much more fan support for the Creeper and Dr Fate that there are for New Teen Titans.

Noveck = Solution?

No wonder Warner can't get more DC heroes onto the big screen.</description>
		<content:encoded><![CDATA[<p>Noveck? Isn&#8217;t he the guy who put the New Teen Titans direct to animated movie on hold because as he claims &#8216;there isn&#8217;t enough fan support&#8217;?</p>
<p>I read somewhere when he was asked how this was determined, he stated that whenever fans are asked which is the next DC animated film they want to see, Titans is always at the bottom of the list with more Superman and Batman topping the list.</p>
<p>???</p>
<p>What I&#8217;d like to know is when the heck did Mr Noveck start polling fans about their animated films? I&#8217;ve never seen one and at most conventions, New Teen Titans Judas Contract is always brought up, requested and  mentioned including in all their online promotions for other Direct to Animated film announcements like&#8230; Wonder Woman.</p>
<p>Glad to know he&#8217;s listening to the fans who requested more Supes and Bats.</p>
<p>I also heard that they&#8217;d like to do Creeper and Dr Fate as animated films. Because there&#8217;s so much more fan support for the Creeper and Dr Fate that there are for New Teen Titans.</p>
<p>Noveck = Solution?</p>
<p>No wonder Warner can&#8217;t get more DC heroes onto the big screen.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Richard Pachter</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175714</link>
		<pubDate>Mon, 18 Aug 2008 18:18:48 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175714</guid>
					<description>Heidi; you need to fix the beginning of the first graf...</description>
		<content:encoded><![CDATA[<p>Heidi; you need to fix the beginning of the first graf&#8230;
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: rev'D</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175706</link>
		<pubDate>Mon, 18 Aug 2008 18:17:06 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175706</guid>
					<description>Shorter Time/Warner press release:

&lt;i&gt;&quot;We remain addicted to ridiculous amounts of short-term profit at the expense of actual risk or creativity and are fully prepared to damn our own publishing subsidiaries to the same ignoble fate.&quot;&lt;/i&gt;

The bar in which I work is owned by White Wolf; as a result I've had occasion to eavesdrop conversations between the CEO and his affiliates.  I've repeatedly heard the CEO demand that  W.W. properties be properly 'exploited'--  without ever considering that the seeming necessity of said exploitation is caused by the company's own lack of willingness to take risks, and apparently without any awareness that the limited success of such exploitation will invariably spiral down into regular scattershots of unimaginative pap churned out for ever-smaller returns...

Much like every event comic for the last few decades.</description>
		<content:encoded><![CDATA[<p>Shorter Time/Warner press release:</p>
<p><i>&#8220;We remain addicted to ridiculous amounts of short-term profit at the expense of actual risk or creativity and are fully prepared to damn our own publishing subsidiaries to the same ignoble fate.&#8221;</i></p>
<p>The bar in which I work is owned by White Wolf; as a result I&#8217;ve had occasion to eavesdrop conversations between the CEO and his affiliates.  I&#8217;ve repeatedly heard the CEO demand that  W.W. properties be properly &#8216;exploited&#8217;&#8211;  without ever considering that the seeming necessity of said exploitation is caused by the company&#8217;s own lack of willingness to take risks, and apparently without any awareness that the limited success of such exploitation will invariably spiral down into regular scattershots of unimaginative pap churned out for ever-smaller returns&#8230;</p>
<p>Much like every event comic for the last few decades.
</p>
]]></content:encoded>
				</item>
	<item>
		<title>by: Hilariass</title>
		<link>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175672</link>
		<pubDate>Mon, 18 Aug 2008 17:57:04 +0000</pubDate>
		<guid>http://pwbeat.publishersweekly.com/blog/2008/08/18/dcu-more-important-than-ever-to-the-studio/#comment-2175672</guid>
					<description>Noveck is a cross eyed freak, hated by EVERY DC Creator and ignored by Hollywood.
If you somehow think he is the solution you are Crazeee.  He is a part of the problem.</description>
		<content:encoded><![CDATA[<p>Noveck is a cross eyed freak, hated by EVERY DC Creator and ignored by Hollywood.<br />
If you somehow think he is the solution you are Crazeee.  He is a part of the problem.
</p>
]]></content:encoded>
				</item>
</channel>
</rss>
